Three episodes in, I’m glad I went with my gut.
Tsuki ga Kirei doesn’t have the hook of things like Shingeki no Kyojin or Boku no Hero Academia. There’s no sort of group following that hyped it to no end before it premiered. It doesn’t razzle, dazzle, or splurge in any other fancy term that rhymes. What the anime embodies is the slow, gradual realization of puberty and the things that go along with it, most notably of a sexual aspect. Tsuki ga Kirei, so far, is what I expected Kyou no 5 no 2 to be. Like what I expected to enjoy with that sort of premise, I’m enjoying it tremendously here.
Again, there is no sparkly sheen attached to this series. It’s slow, somewhat uneventful, and has no special feature that secludes it from other anime among the genre. What it does have is a realistic and adorable viewpoint of young love and trying to abide by societal norms. It’s almost like a study of human behavior between the point of childhood and adulthood, a crucial transition for any and all people of a normal capacity. As a closet romanticist, I can’t help but feel engrossed by the nervous interactions between the male and female leads. Their mannerisms dependent on the situation and place, and their consciences inwardly debating what is or isn’t the right way to speak to one another. There’s a nice subtlety with characterization that really speaks to me, telling me more than the characters need to outwardly state.
The methodical process that Tsuki ga Kirei takes prevents it from being something worth watching for people who want an easygoing slice-of-life flick. There’s no rampant humor or colorful insanity. It’s fairly grounded in its approach, so those who aren’t strictly intrigued with young love and development won’t find much enjoyment in this. Almost like letting water boil, it slowly builds itself at a reasonable pace until the heat is at the point where it requires the ingredients to cook. “Episodic” is not a term to describe Tsuki ga Kirei, as it develops naturally over the course of each episode, like going from Point A to Point B. Think of it like the transition screens in each episode of Mawaru Penguindrum.
If there is one issue, it’s an easy choice: art and animation. It’s rather static, very rarely improving the quality of the slow crawl of the plot with any sort of exuberance. While I do like the experimentation of 3D models within a 2D space, and the sort of bright shading tones of the characters’ features, the overall animation leaves a lot to interpretation. By that, I mean there are really sudden frame skips. Its level of consistent movement rivals that of Onihei, which I’ve lamented as pretty mediocre. While it doesn’t destroy the serious(ish) nature of the anime, it does make it a little hard to appreciate at its max potential.
While still within the introductory stages, Tsuki ga Kirei has the tools to become a rather enjoyable piece. While its roof at the moment isn’t anything more than a seven or so out of ten, I’ve had hidden gems surprise me in the past (Latest example: Demi-chan). I’d definitely recommend people at least give it a shot, such that I can see it being talked about more on Twitter so I can interact with them. No bias here!