To this film’s detriment, there was a heavy load of expectations from me going into it. Three film critics whose opinions I trust—for those aware, the three members of the Sardonicast podcast on Youtube—all gave this a perfect 10/10. The only other time I’m aware of this happening was with The Lighthouse, which I also adored. Fully prepared to fall in love once again, my decision to watch this came with the caveat that—even though the reputation was high—deep down, I wondered if it might be too much to ask for. Continue reading “Day Five: Anomalisa (MotM 2020)”
I watched Norm of the North with my brother early last month, perfectly aware of the reputation it has as one of the worst animated films in the existence of time (that’s the magic, really). While it was definitely very bad, I didn’t find it to be as bad as everyone else seemed to think it was; merely an inadequate picture with really unfunny jokes and a juvenile storyline. Upon finishing it, I made the horrifying discovery that a sequel actually existed, and thus, the search for “terribad” content continued forward.
And by the power vested in me as a purveyor of terribad content, Norm of the North: Keys to the Kingdom is an exquisite masterpiece. Continue reading “Norm of the North Actually Got a Sequel and It’s Glorious”
And so, the final day of the 2019 March of the Movies block comes to a close. It was a good run this year. While I certainly could’ve improved on my time management and depth of reviews, I feel I watched a lot of enjoyable and insightful films this month. To cap it all off, I decided to see something that has been collectively crowned as the greatest superhero-based film ever in the history of time. If you think this sounds exaggerative, why don’t you check its Letterboxd page real quick and get back to me. It should only take a few moments of your time. Continue reading “Day Thirty-One: Spider-Man: Into the Spider-Verse (MotM 2019)”
Ah, youth. So many different films that have been sewn into the seemingly endless fabric of my memory bank, weathered by time and newer material. Cats Don’t Dance is, by the voices of those all around the internet, something of an underappreciated picture. I remember watching it around the time it first came out (I was four at the time), and I may have had it on VHS at some point. My memory isn’t too strong. Certainly a positive experience in my deep youth, but the question that arose as I grew older and the pictures associated became foggier was always present: Does it hold up now? Continue reading “Day Five: Cats Don’t Dance (MotM 2019)”