To this film’s detriment, there was a heavy load of expectations from me going into it. Three film critics whose opinions I trust—for those aware, the three members of the Sardonicast podcast on Youtube—all gave this a perfect 10/10. The only other time I’m aware of this happening was with The Lighthouse, which I also adored. Fully prepared to fall in love once again, my decision to watch this came with the caveat that—even though the reputation was high—deep down, I wondered if it might be too much to ask for. Continue reading “Day Five: Anomalisa (MotM 2020)” →