This one may ruffle some feathers. (more…)
Hello, hello. Welcome all, once again, to Entries from the Dead, where I discuss things I attempted to watch but couldn’t because I hated it—or more specifically, for reasons to be explained in the continuing post. (more…)
(Note: All images (excluding the first) taken from IMDb.)
December of 2012: I am, at this point, fresh to the expanding medium of anime and retain that glimmer of innocence that follow those who aren’t completely familiar with the tropes and industry standards surrounding said medium. With 52 completed anime (for comparison, I now have 411), I was still willing to give dozens of different genres a shot at becoming my next completed anime, ignorant to the red flags that come from just looking at a trailer screenshot or a synopsis. Also noteworthy about this version of myself is that I was more close-minded than I am now, with a definitive interpretation of what things can and can’t be when fit into a certain category. Then comes Amagami SS. (more…)
[Dropped after twelve episodes.]
One following me for long will look at the title of this post and say, “Well, duh!”
Fairy Tail is one of those popular battle shounens that the typical anime fan picks up because it looks flashy and fun, two things the show probably is for those who don’t have a lot of experience with anime as a medium. Even to those who are accustomed to the ever-expansive (sometimes) pastime, Fairy Tail can seem like a nice series to turn one’s brain off to and enjoy the zany interactions between characters and the journey towards the ideal self, or wealth, or whatever these characters want to do. Back in 2013, I gave the series a shot, and despite my much smaller arsenal of viewed anime under my belt, I could only make it to a single cour for a standard anime series. (more…)
[Dropped after 25 chapters.]
A manga as the subject this time around! Just look at how innovative I’m becoming in my absence.
With this long-running manga finally ending its run of Engish scanlation, I thought it would be appropriate to share my own story of trying to read, and eventually dropping, a story full of clichés and its almost parody-like execution of such. Initially intrigued by the distinct art style, a friend was also belly-deep into it and seemed to find it a decent read. That was all I needed, despite how lousy the anime adaptation was in terms of average score; after all, anime adaptations don’t necessarily correlate to its source’s success.
In this case, it kind of does. (more…)
[Dropped after seven episodes.]
I think it’s safe to say that the Hetalia series is the most popular anime-short franchise of modern times. The amount of fanfiction, fan art, fan shipping, fan-girling (Typically this gender, too) seen over the course of my being an anime fan is almost absurd, rivaling the likes of popular Shounen titles such as Naruto or One Piece. All this from an anime short of all things, too! The amount of episodes in this shortened time frame would equal roughly eleven-episodes of standard length anime, with each episode (I assume) being within its own story, with only a casual overarching narrative to fall back on. (more…)
(This series has since been dropped. There will be no entry for it for the foreseeable future.)
Three episodes in, it ended up not meaning anything.
With this gone, I am now down to only one seasonal anime to view on a weekly basis. If anyone has something to recommend that is not complete garbage, please feel free.
With the first episode of URAHARA, I was charmed by its attempts at appearing somewhat off. I had anticipated that it would take this incredibly avant-garde color palette and premise to places that would end up being intriguing to dissect. Through three episodes, I saw no signs of anything of the sort, so as my patience continued to wane, as did my interest in continuing along with the series. Truth be told, I didn’t even watch three whole episodes, only two and about twelve minutes of the third, only to skim through the rest to see if I would miss anything. I wouldn’t.
Three girls are within their own world of Harajuku (I believe it was called) when aliens come out of nowhere and start taking various artifacts of human culture to have for themselves. A talking shrimp puff that doubles as a scarf for a mysterious little girl explains that the aliens cannot think creatively for themselves, so they steal landmarks of creativity from other planets to compensate for it. The three girls are given powers (I genuinely cannot remember how or why) that allow them to combat these thieving aliens and the rest, well, kinda plays out like a villain of the week, Saturday-morning cartoon. All the clichés are present with none of the charm from the characters or consequences of the plot at hand.
Skipping ahead from my normal structure, art is something that made me both stay at first and leave at the end. It’s very simplistic design, with a lot of rough-around-the-edges style of animation that made it seem incredibly amateurish. Once again, I was suspicious as to whether the series was doing this purposely as a form of parody or satire, which made me question the style they presented (lots of girly, light colors). With no evidence of anything of the sort, I can say with almost certainty that the animation is simply atrocious and the studio behind it takes numerous shortcuts that reek of low budgeting and laziness. Hell, characters don’t even have the same succinctness to their jawlines scene-after-scene.
There are some things I could say about the story of URAHARA, but there’s a deterrent to my further elaboration: what story? Aliens rob Earth of their culture, then a giant bubble surrounds a certain portion of the girls’ town and then… they do stuff. They do normal girl things and hardly worry about it. They talk to each other and develop their friendship. And at the end of each episode, an alien conveniently swoops in and starts shit, only to be defeated without much effort. That’s about as much as I can
remember articulate. Simply put, it’s pretty dull, with only the expectation that better things are yet to come leading me along with this nonsensical production.
It would at least be tolerable if the characters weren’t cardboard cutouts of… anything, really. There is so little differentiation between these three girls that it barely matters what any of them do. One is a blunt, yet shy fashionista (who I liked at first). Another is a soft-spoken and absent-minded accumulation of girliness. And the last, I guess she’s the “main” one, is the main character. Any veterans of the industry can immediately fill in the blanks with only “the main one” as context, sadly. Altruistic, you before me, normal in almost every regard, nothing stands out except their “chosen one” background. These three have little expression to them, nor do they have a lot of intriguing chemistry. Chemistry they have, but it’s nothing one hasn’t seen before. Almost akin to the chemistry one sees between background characters that’s never elaborated on.
I thought I’d picked a sleeper when the synopsis of this anime popped out at me. The burst of color, absurdist premise, and the hunch in my brain made it seem ripe with potential; for the first episode, I still believed it to be there. Time has gone by and nothing has shown for it. It’s dull and empty. Unbelievable that a plot this strange and an environment so colorful and bouncy can be this boring. I almost want to make my own URAHARA and fill it with strange symbolic gobbledygook parodying Sailor Moon and Cardcaptor Sakura, while also establishing a point of emphasis on the way girls with superpowers in anime are expected to behave in the eyes of the general public. Oh, what could be with enough work.