Entries From the Dead: Urusei Yatsura (2022)

I’ve seen my fair share of anime series in the last ten years. In fact, it’s been just over ten years since I began to consume anime at a severely unhealthy pace (previously referred to as my “Anime Renaissance”). In that time, all sorts of characters have flashed before my eyes (“flash” being a deliberate term), but one that always stuck out to me by virtue of its absurdity was Lum from Urusei Yatsura, what with her tiger-striped bikini and boots combo, shiny blue-green hair, and horns.

Then, about a year ago, I got wind that Urusei Yatsura would be getting a modern-day anime adaptation, just over thirty years after the original series began airing. “Okay,” I thought to myself. “This would be a good chance to see just what the series is all about with a nicer sheen to its presentation.” Granted, I had some hesitation about a reboot of a cult classic, though with no real affection for the first series, I went into this with basically no expectations. May as well try it out.

I lasted one episode.

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Entries from the Dead: Gibiate

This is a very fresh addition to my anime graveyard, having dropped this just last night. Normally, I would try out an anime, drop it, and then not bother; the rare exception comes when I feel I have something insightful to say about it. But with Gibiate, there is a specific angle that made me try it in the first place, and after seeing (part) of the results myself, I feel pretty let down. This was compared to Mars of Destruction—an anime so terrible it’s used as a pedestal for all terrible anime to aspire to. Knowing that as a connoisseur of terribad things, how could I resist?

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Entries from the Dead: Runway de Waratte

runway de waratte cover

They say that everyone loves an underdog. The come-from-nowhere, chip-on-their-shoulder, hard-working specimens that find success through hell and back. Disadvantages are their crux; doubt only entices them to try harder. These kinds of stories make up the plot of many sports stories, specifically, but also make for delectable drama in other ventures arbitrarily created by humanity for the sake of it. Such vapid appeal also comes in the form of runway modeling, which if not for the sake of allowing people to express themselves, would be one of the most superficial and arrogantly obnoxious things in the known world, in my opinion. Continue reading “Entries from the Dead: Runway de Waratte”