Entry #22: Inou-Battle wa Nichijou-kei no Naka de (SoA 2017)


(Recommended by Shokakakakakamoka.)

It’s a light novel adaptation. I could end it there, but I won’t.

Inubato!‘s appeal lies within the studio that produced it: Studio Trigger. I’ve said enough in the past about how Trigger seems to have a magical approach to animation that makes them stick out from the rest, notably through overexaggerated reactions and spastic movement. With this in mind, I wanted to know if Inubato! was capable of harnessing the power of Trigger’s bombast. Short answer: not really. Long answer: only in very rare instances.

Certainly gifs of this show’s brighter moments are available online to some capacity, but that’s really all that can be said about the studio’s influence. Aside from those moments, I don’t think anyone would note that this series was done by Trigger. From the designs to the movement to the behavior, Inubato! is a by-the-numbers example of what I noted somewhat earlier about the stereotypes of light novel adaptations. There isn’t anything really new here, and the synopsis of the show is a blatant attempt at cashing in on the chuunibyou craze partially started by Chuunibyou demo Koi ga Shitai!. This could be excusable if they did, well, anything with the concept, but instead employ a cookie-cutter, episodic structure of developing each girl in the harem while making the male lead look good by saying the right things at the right time… then say something stupid to reinforce the chuunibyou aspect. Screaming of repetition and basing one’s work off the success of others, a particularly foul taste is left in the aftermath.

inou-battle 2

Points can be distributed through some process of creativity, as the premise of a chuuni male lead, who believes he has superpowers, surrounded by non-chuuni individuals who suddenly acquire superpowers, could be something worth some solid development. It’s just not done in the way that could ultimately be seen as taking advantage of the potential. I’m sure some will applaud it for the way it actually goes and develops the characters, as each female member is given an episode and change to show what they’re all about and what the male lead means to them. It’s the way that it’s presented that feels so hollow, so within the formulaic confines of light novel-adapted anime that one can’t help but feel slighted. This episode is red-head’s episode, then the next is the blonde’s, then the next is the dark-haired girl’s, and so on. And then there’s this strange subplot about one female member’s brother, who is also hardcore chuuni (how convenient), where he apparently has a group of mythical beings that fights against bad guys or something? That was all lost on me, and really didn’t amount to anything in the end, so it may as well have not even happened. Rather, the brother shouldn’t have even existed.

inou-battle 3

The inclusion of one character’s chuuni brother is only one aspect of the anime that seems out of place. The fact that the characters have superpowers at all doesn’t amount to anything. They almost never use them and aren’t brought up as if it affects their lives whatsoever. Why even give them powers if they’re not going to use them? Why are all of the characters so perfectly-moraled that one of them can’t think, “Hmm. I wonder what I could get away with with my power to FREEZE TIME?” That’s the kicker; these aren’t just dumb powers, either—they’re amazing powers that could give them the ability to change their lives for the better (or worse). The blonde girl can create anything! Are you serious?! Create a trillion yen! Become rich! Help the homeless! End world hunger by making a million McRonald’s! The sheer magnitude of what they’re capable of is lost on them, and what could have been an incredibly appealing narrative of what they could do with their powers is wasted on some fart that says a lot of stupid things being nice to them and making them realize that all boys have to do to be loved is be a nice guy. Sorry, my prejudices came out.

Just a horrible waste in potential, though I didn’t expect much from it regardless. It’s as the very first line states: it’s a light novel adaptation. The stereotype stands and sucks yet another product into its void of emptiness.

Personal Score: D+

Critical Score: D+

The rating for this title and all others can be found on MyAnimeList.

Entry #9: Teekyuu (Seasons 1-8) (SoA 2017)


(Recommended, once again, by not-so-plain pasta.)

As many different ways as one can tackle this series, there’s one thing everyone can agree on: Teekyuu is pretty eccentric.

It’s short.

It’s fast.

It’s random.

It’s absurd.

It’s energetic.

It’s explosive.

With only two-minute episodes, this rambunctious short anime series is dedicated to cramming events that would normally take half an episode into bite-size portions.

Charming through sheer force of will.

Anime on crack; there’s little else to say about it.

Scenes fly by at the speed of sound.

Characters are little different from one another, but have little quirks that differentiate them aside from hair color.

Almost as though the series was inspired by WarioWare or Elite Beat Agents.

The series is like candy: small, sweet, and not very filling.

It could also make your head hurt.

(I’m still recovering.)

Typically basic entertainment, though sometimes very witty.

Each season is basically the same.

Marathoning this is a bad idea, but with short spurts, this short series is almost recommendable.

If only for its absurdity.

Seriously, the shit that’s shown in this series.

Holy hell.

Personal Score: D+

Critical Score: C-

The rating for this title and all others can be found on MyAnimeList.

Creating My Perfect Waifu



This post is going to be dumb.

It’s Valentine’s Day, people. The day to express one’s appreciation, and on occasion rampant sexual desire, for their loved ones. This is in response to Valentine’s Day’s origins: the massacre of St. Valentine. What better way than to disperse violence and ill-will than with love and tolerance for all? And chocolate? And sex? And commercialism? All truly romantic.

Because I enjoy making a big deal out of holidays, I decided to write up a dumb post chronicling what it would take to create my perfect “waifu.” Of course, I technically already have a waifu, but it’s fun to fantasize about all the qualities of a woman I enjoy with characters (and real people). These are the qualities of a lovely waifu candidate that speak to me on a level that transcends my cynical mechanism.



Whoa, whoa, whoa. Hold on, now. Independence? Is that sexy? Is that moe? Anything is moe, but really? Independence? Yes. Independence.

The norm is that men are strong and women are weak, with the latter depending on the former for protection. There are exceptions to this, but generally this is how things carry on, especially in anime. Studio giants a la Disney are trying to “correct” this by continuing to cast strong female leads in their films, however the long-standing tradition will take a lot of time to be seen as anything other than “pandering” or “progressive.” I’ve always had a weak spot for girls who can take care of themselves—not so much that they act masculine to compensate for their lack of femininity, but are capable of doing as much (or more) than anyone around them, not just men. I find the aspect of being able to handle any situation with grace or level-headedness to be a very appealing strength. I’m often bothered by useless people, whether girls or boys, which plague a number of shows or, let’s face it, real life areas.

As odd as this may sound, I’m a pretty competitive guy, and being able to stand toe-to-toe with a woman on a subject I’m proficient in is as attractive as physical beauty. And I’m not perfect. Sometimes I need someone to rely on, as well. Having a woman be able to compensate for my weaknesses is a security both practically and emotionally therapeutic. I liken myself to being the man of a strong, independent woman who don’t need no man.

Characters that fit this mold: Revy (pictured above), from Black Lagoon. Yoko Littner, from Gurren Lagann. Ryuuko Matoi, from Kill la Kill. Michiko Malandro, from Michiko to Hatchin.

Playful/Sense of humor


Again, I’m a competitive guy. I like having little, useless debates with people that involve wit and quick thinking. Of course, I’m never serious with it, and to have a woman play along with me is an incredibly satisfying feeling. Someone who can trump me gets my blood boiling, too. In a good way.

I try my very hardest to be funny. Perhaps followers of my Twitter have noticed. Some don’t get my humor, but those who do are instantly on my good side.Women who employ this same humor are often doubly so. It gives me a sense of open-mindedness and creativity and intelligence flowing within. Y’know how often I find this in anime? The answer is much closer to never than often.

It’s the rarity of this that makes it more appealing to me. I suppose when one is depraved of something they enjoy, the appearance of such a thing becomes more memorable and impactful. Like drugs. One can also note this by my Favorite Characters list on MAL, which has a number of women who exhibit this quality.

Characters that fit this mold: Togame (pictured above), from Katanagatari. Holo, from Ookami to Koushinryou. Takagi, from Karakai Jouzu no Takagi-san.



This goes double for tsunderes, as a certain someone made me quite fond of them.

Along with being goofy and amusing, I’m also a very affectionate person. Indeed, the guy who complains and criticizes everything he feels is beneath him is actually a teddy bear at heart. Thanks, Mom. So to have someone be just as affectionate as I am, whether through their words, actions, or otherwise, is a quick way into my heart. I enjoy praise and I enjoy the mushy, sweet stuff that comes with this holiday and any other holiday. I’m a self-proclaimed romanticist, after all.

Some may be a tad confused to see Taiga as the poster of this trait, as she’s most often referred to as “Bitch” or “TsunTsun” or “The worst character.” I, however, like to look between the lines and judge her based on her actions. And her actions include sticking with the characters she grows to love and going through with improving herself for the sake of others. She’s often roped into doing things she doesn’t want to do, but if she didn’t really want to do them, she wouldn’t. Instead, she has that loyalty to her friends to help them out any way she can. In actuality, she’s very caring, and very affectionate, but in her own way. This aspect (and more) is what makes her my favorite anime character ever.

Sometimes it’s not just about saying “I love you,” but showing that love for someone.

Characters that fit this mold: Taiga Aisaka (pictured above), from Toradora!. Eris, from Asobi ni Iku yo!. Marin, from Umi Monogatari. Papika, from Flip Flappers.




I almost thought about putting “Cynical” here, but that isn’t quite right. I’d prefer if someone were pungent enough intellectually to see through the vapid attempts from the world to use them for their will, but not a constant debbie-downer. That’s not to say cynical people are always like so, but that’s the generalization. In a nutshell, I like people who aren’t easily pleased, people who aren’t going to walk into anything and everything wanting to enjoy it. People are a lot more interesting when they have some complexity. Having opinions makes them infinitely more complex, especially if they have justifications for said opinions.

I don’t know a lot of opinionated women, personally. And I certainly don’t know many opinionated female characters in anime or otherwise. Hikigaya really is the perfect choice for this trait, though he’s the more generalized aspect. Always spitting poison and wanting to be away from all the fake people around him. This is exaggerated for the sake of appealing to a certain demographic, but I feel a balance between this cynicism and his potential for growth could make him ripe with waifu material.

This plays a little into my interest in people and their opinions, as I enjoy talking to people about what makes things good or bad or otherwise. Having a partner to discuss these things at length for long spurts is incredibly attractive, and gives me a scope of their personality and tastes. In a sense, it almost feels apathetic of me to want to learn of people from a scientific viewpoint, but I’m also listing qualities of what I would want in a “Waifu.”

Characters that fit this mold: Hachiman Hikigaya (Pictured above), from Oregairu. Haruhi Suzumiya (Maybe?), from Suzumiya Haruhi no Yuuutsu.

And that’s what it takes to create my perfect waifu. If anybody would like to make a recommendation of who fits this mold closest is free to comment. Have a safe and happy Valentine’s Day, and I hope this post didn’t make you want to throw up.