I’m so glad I ended the March with this trilogy. Continue reading “Day Thirty-One: Evangelion: 3.0 You Can (Not) Redo (MotM 2018)”
Tag: March of the Movies 2018
Day Thirty: Evangelion: 2.0 You Can (Not) Advance (MotM 2018)
Something odd has been occurring to me lately when indulging in trilogy films. Whether it be Spider-Man, Alien, Nolan’s Batman, or now this, I seem to not be impressed by the second outing, which many fans of these franchises consider either better or more enjoyable than their first entry. I swear I’m not intending to have this happen—I guess I’m just a hipster? Continue reading “Day Thirty: Evangelion: 2.0 You Can (Not) Advance (MotM 2018)”
Day Twenty-Nine: Evangelion: 1.0 You Are (Not) Alone (MotM 2018)
There’s an interesting thing in regards to this string of movies. For whatever reason, the parent series is considered a classic of the anime medium, and many fans hold it with high esteem and a symbol of creative genius. I’ve seen the parent series. I liked it quite a bit. It certainly has more substance and nihilistic anxiety than basically every anime to follow or precede it. I would recommend it to any anime enthusiast and to people outside of this colorful(?) medium, too. Continue reading “Day Twenty-Nine: Evangelion: 1.0 You Are (Not) Alone (MotM 2018)”
Day Twenty-Eight: The One I Love (MotM 2018)
While the number of psychological issues brought up in this film and the questions it raises about romantic relationships are intriguing enough, I have little to say about this one. Continue reading “Day Twenty-Eight: The One I Love (MotM 2018)”
Day Twenty-Seven: Unsane (MotM 2018)
Apparently Steven Soderbergh was feeling kinda funny one day and decided to make a movie about insane people and recorded it all on his iPhone. I can appreciate a guy who follows through with whatever stupid shit he comes up with. Continue reading “Day Twenty-Seven: Unsane (MotM 2018)”
Day Twenty-Six: Kurenai no Buta (MotM 2018)
They say there’s a “magic” to Studio Ghibli. Everyone seems to remember the films with the most fantastic imagery, the most flawless animation, the grandest of visual output. People remember Howl’s Moving Castle and Spirited Away without even remembering them; they were just that amazing and memorable. Using this blissful creativity gives the legendary animation studio a crutch to lean on when their stories aren’t always the most complex, logical, or even interesting. While arguing that people only see a “magic” surrounding Ghibli films because they overemphasize the visual aspect is not an argument I would make, it is something I think I’ve unconsciously accepted with my spotty track record with the studio. To consider the films I’ve seen “overrated” would be an understatement—especially when people hail them as some of the greatest films to ever exist. Continue reading “Day Twenty-Six: Kurenai no Buta (MotM 2018)”
Day Twenty-Five: This Is Spinal Tap (MotM 2018)
Short on time, short on patience. Continue reading “Day Twenty-Five: This Is Spinal Tap (MotM 2018)”
Day Twenty-Four: Thank You for Smoking (MotM 2018)
I don’t smoke. I don’t think you should, either. But it’s not my place. You can do whatever you want. That’s the beauty of never truly adhering to one side or another—you can be on either side of the argument, so you can never be wrong. You may piss some people off in the process, but people are always angry because they’re wrong, and that’s because you’re right. Continue reading “Day Twenty-Four: Thank You for Smoking (MotM 2018)”
Day Twenty-Three: 12 Angry Men (MotM 2018)
If Letterboxd average user rating is any indication, this is one of the greatest films of all time. Is it? Continue reading “Day Twenty-Three: 12 Angry Men (MotM 2018)”
Day Twenty-Two: Howl no Ugoku Shiro (MotM 2018)
I should really stop procrastinating with these reviews. Continue reading “Day Twenty-Two: Howl no Ugoku Shiro (MotM 2018)”