Spaceballs was introduced to me at a young age. Maybe that was a bad thing, but that’s a discussion for another day. It was the film to introduce me to satire-comedy films and to Mel Brooks. Since then, I haven’t seen too many satire-comedies, but when I do, they’re usually Brooks’s work. The Producers, Young Frankenstein; yet I never took the time to watch the one that many consider his best work: Blazing Saddles.
I won’t be too detailed with this one, because my thoughts are just about the same as… all of them.
Continue reading “Day Twenty-One: Blazing Saddles (March of the Movies 2022)”