For the final anime of the 2021 Merry Days event, we have Aoi Hana. Obviously, this is the most well-known anime of all-time, among the levels of Fullmetal Alchemist, Dragon Ball Z, or Astro Boy. A legendary series that is guaranteed to bring the fans to my blog to chatter about its well-documented history and analysis among the community. I just had to end the month with a bang.
Ah, apologies. I had set my sarcasm gauge to high levels. This is a semi-obscure Shoujo-ai story that a lot of people seem to find very boring. My friend liked it quite a bit, though, so that’s good enough of a recommendation for me. Plus, a pleasant foray into a slower story consisting of interpersonal relationships with a gentle touch can be nice. Really, I tend to gravitate to these plots more than, say, isekai or grand-action series. People are interesting.
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Won’t put too much into this post. With the Christmas season approaching, I’ve got bigger fish to fry. Also, wanted to put it out there that Arakawa Under the Bridge will be the second-to-last anime I watch this month. The last one might be a film, just because of the time constraints.
Anyway, this is something of a momentous occasion: This anime was actually brought back from the dead. After a long wait, Arakawa Under the Bridge finally got the recognition it rightfully deserved within my mind. Not that I was particularly vouching for it beforehand, but I was assuming it wouldn’t be terrible!
(Quick disclaimer: This is just the first season of the series. I did not watch its second season: Arakawa Under the Bridge x Bridge.)
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Cover image looks a little like doodoo garbage, but what can you do? Denki-gai no Honya-san seems to be a not-popular-enough attraction for high quality images and assets.
Nevertheless, this anime has been mildly interesting to me for a number of years for one reason: it’s by the same author as Aharen-san wa Hakarenai, which I quite like. (And just found out is getting an anime in 2022.) Surely if I like one work, I’ll like another one of a similar nature, yeah? Yeah… About that…
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Sometimes you just want to watch trash. I get it. You look through my anime-viewing archives and you’ll see many titles that would make you think, “Why would he watch this thing?” Opportunities for delectable cuisine of hilariously bad anime are kind of hard to come by. When the mood strikes, I answer it. Why deny it anymore? Which is why I have now consumed seven episodes of Vampire Knight before dropping it outright. Happy holidays!
(Just going to provide a small disclaimer in case it was not clear before: This post will only cover the first seven episodes of the original Vampire Knight series. I did not watch its second season, Guilty, nor do I intend to.)
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Not the best cover image ever, but I’m working with what I have. Princess Principal is something of a long awaited watch, as it’s been on my radar since around the time it began airing. Something about it seems… unique. Why I never watched up to this point may have been because of a number of things—it looked maybe too self-important, top reviews on MyAnimeList didn’t paint it in a great light, etc.
In the spirit of the holidays, I went ahead and gave it a shot. No, that phrasing was not initiated due to the clear pistol present in the cover image.
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Watching this was actually a rather nostalgic choice. Not that I have any history with the franchise or its original rendition from the ’70s, but it coincides with a particular instance in my life that changed me (for the better?). We can get to this with time; for now, I’m going to implement a “less is more” approach to writing this entry. Casshern Sins thinks that philosophy is stupid.
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Everyone, it did not take long to find the first droppable series of this year’s festivities. Only being able to sit through about two and a half episodes of Horimiya, this post will not be especially long (I promise).
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To start the festivities off, I wanted to go with something recent. It’s no secret that my commitment to anime has been very, very aloof in recent years, so I wanted to take a small sample of what current selections had to offer. While searching through options, I was met with Kobayashi-san Chi no Maid Dragon S, which I had actually forgotten about. I quite liked its first season and it had just finished airing in late September. Perfect choice!
Still, doubt lingered. I viewed its first season back in 2017, shortly before it finished airing on television. The time between then and now is rather great—I’m not the same person I was then, nor did I have the mental capacity to recall the more intimate details of the series. Watching the second season was both a desire to see how the series would proceed and a test to see if its pleasant nature still appealed to present me. How does it fare?
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This post’s title was, in fact, inspired by the Daniel Craig introducing The Weeknd meme.
When I made up this impromptu block of anime-viewing festivities, I half-wondered if it would end up being a yearly thing. Here we are in year three; I think it’s safe to say that it’s here to stay. Probably helps that I don’t watch much anime nowadays, ensuring that by this point I’m actually willing to indulge for a little while. Join me as I go back to the topic that used to be my blog’s central focus.
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Many words were written about anime this season. A lot more than written over the course of the year, as my interest in the anime medium has slowly dwindled. Whether that says more about me as a person or the medium itself is debatable, but one thing’s for sure: I’m not much of an anime man anymore. More of a recommendation dispenser. I’ve seen so many that I’m able to take a quick browse through my list and give about three or four recommendations per genre. Like an old sage with a Word document. Where am I going with this?
Continue reading “Merry Days of Anime 2020: Megalo Box” →