Recommended List of Indie Games #1

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This is not going to be a typical post for The Visualist’s Veranda.

Over the years, I’ve become more acclimated to the world of indie games, due primarily to my experience working for KeenGamer. There’s something about the spirit of a really good indie game that makes me enjoy the video game medium even more, particularly seeing first-hand the passion and commitment needed to make something so time-consuming and daunting. Thus, I decided I wanted to make a collection of all the great indie games I’ve played in the last few years, whether for review or not, and chronicle them in a handy, link-heavy package. Because I really enjoy shilling. Continue reading “Recommended List of Indie Games #1”

Komi-san Is an Absolute Delight

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It feels really nice to have a currently-reading manga where the moment it updates, a sizzling-hot feeling of anticipation erupts within the body like an explosion. For me, on this day, that title belongs to Komi-san Wa Komyushou Desu.

Komi is a girl who cannot speak; she is not mute, but has a certain disorder about herself where she cannot communicate with others well. Her goal is to conquer her disorder and make a vast amount of friends, so that she can establish a fulfilling and memorable high school experience. Alone, she struggles with this, until a completely normal classmate by the name of Tadano figures out her disorder and agrees to help her dream of achieving “100 friends.” Continue reading “Komi-san Is an Absolute Delight”

La La Land “Review”


Those of you with perceptive vision will notice that I put some quotations over “review.” That is because this will not be one of my standard, traditional-styled reviews where I drone on about the objective qualifications and whether or not the subject is recommendable. Instead, all I will do is discuss the bare features of the film and hopefully answer a few questions newcomers will have when deciding whether they want to see La La Land or not.

There is somewhat of a debate in the labeling of this film as a “musical.” La La Land is very much about music in general, but it also aspires to pay homage to many musicals of the past. Lead actors Emma Stone and (especially) Ryan Gosling are not exactly professional singers, and the quantity of musical numbers dwindle as the film carries on. There are quite a few musical numbers to begin the first half hour of the film, but there is a very noticeable drop-off about halfway through. I’ve heard the argument that the realistic style of singing by said actors was made to make the film more “realistic,” though I’m not sure how you could make the opening scene realistic in the absolute slightest, so I tend not to agree with that stance. By film’s end, I feel it’s necessary to label the film as a musical, as it contains a numbers of songs that break the realism from the scene , but there’s also a lot more at play here to simply predicate its quality entirely on the musical aspect.


Other labels include romance, comedy, and drama, so one should have a feeling the film will rely some on THE POWER OF EMOTIONS!!! Quite abundantly does it try to coerce the viewer’s heart to sway with the characters on-screen, though I feel the manner it takes is more effective than most due to the visual manifestation of said emotions. Not only is this film a sponge for the empathetic, but a stimulative for the artsy minds looking for a dazzling and intriguing look at a very, very tired subject. It says right on the cover art: “Here’s to the fools who dream.” It is, at its very foundation, a gift to those who have ever wanted something with every twitch of the soul. Should that appeal to you, know that it also does so without making it too apparently blunt. And also with the bitterness that is carried along the way.

One other aspect is balancing out the enormous amount of hype surrounding the film at this point in its release. Truth be told, I found myself wanting to see it simply to see if it really was as spectacular as many held it to be. I’m a fairly skeptical man, and knowing critics are willing to discard wonderful objectivity for a sniff and a tear made me all the more pessimistic going into it. By all means, La La Land is no perfect film. I had issues with it, and at times I wondered if the musical aspect could’ve felt more important. More than anything, however, was how enthralled I was with the aspect of how much of a “movie” the movie felt. A wreckless abandon of merriness and lighting and angles and spins and props and energy with lots and lots of pizzazz! One of those rare occasions when the technical foundations of storytelling almost didn’t matter in contrast to the excitement of genuine filmmaking. Fear not the overwhelming hype, as daunting as it may appear. It’s not hard to pretend that the film is but a one-off endeavor of heart.


I would absolutely recommend the film to anyone, but especially those with my own disposition of aspiring to be something more. One could say that I’m biased as I fit right within the comfortable hole the film creates for me, and they’d be correct in a way. I was moved by the criteria of the film and the way it was portrayed, but there are other features to the film that could just as easily satisfy, as the genres also denote comedy and romance. A nice effort is shown to make every little detail important, so much so that it oftentimes makes fun of itself. Most scenes are more than they show to be, and the threads of fate paint a canvas of foreshadowing and suspense without distracting from the original pace of the scenario. The biggest argument I could make in defense of  La La Land is that while it may not be the most stupendous or inspiring of stories, it is entirely so as a film.

Final Score: 9/10

The rating for this title and all others can be found on my IMDb account.