mother! “Review”

mother! 1

Indeed, your eyes do not deceive you. There are quotations around the word “Review” in the title. That is because this will not be quite like the traditional style of review, but also not quite my own version of putting down my thoughts. Instead, I will treat this post as a hybrid creation, something that can both pass off as an official review and personal diary. And for those aware, I did also do this with my “review” of La La Land.

So then, what do you call a film you consider good, yet cannot help but not enjoy?

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mother! is symbolic to its very core. Everything that is shown onscreen is an allegory to some bigger picture that the audience is pressed to figure out. Now, a number of theories creeped into my head with every scene, with issues such as female empowerment, idol worship, abusive relationships, rape culture, patriarchal dominance, and the toxicity of humankind giving weight to the things being shown to me. Little did I know, there is an answer to this film, a key to understanding the puzzle of mother!. After learning of it, I’m left with only regret. Something of this magnitude, so delicately precise and foreboding in its imagery and atmosphere, to all come into one simple answer.

This isn’t a fault of the film itself, but rather the intentions behind it. I believe ambiguity could’ve served to make this film all the more interesting, without the need to pin it all down on a single aspect which generalizes the film’s potential. This also isn’t a disagreement with mother!’s ultimate message, as I feel it makes (enough) sense to have the scenes collide the way they do. Strange as it sounds, I can’t find myself enjoying the film after knowing the answer; I found the film a lot more inviting when I hadn’t a clue.

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It ended up being more fantastical than what it appears, especially in the beginning. I found out a lot about myself when all the theories I concocted for myself, things that shroud themselves in today’s society by the screeching mouths of dozens, ended up being of a practical sense. I considered nothing of the fantastic, of how or why the bizarre things occurring could be happening. Assuming it would all explain itself in the end, the final minutes only strengthened my previous theories. It seems I do not enjoy giving up without a fight.

Should this review seem obnoxiously vague, that’s because it is intentionally. Much like mother! itself. Critiquing the film is more akin to the Chinese finger trap, where one can only pull and struggle with the solution when, in reality, the answer lies through unexpected perspectives. An open mind is critical when viewing, as the film certainly doesn’t pull any punches (or kicks or insults). It’s no surprise to me that mother! is such a polarizing experience for many. In the end, how one feels about it may very well say more about the person than the film. This sounds like common knowledge, but I think there’s more to it than that. Either you enjoy a cryptically chaotic experience or you prefer the simple strategies of good vs. evil. In this case, there’s very little in-between.

Final Score: 7/10

The rating for all other films can be found at Letterboxd.

Entry #13: Code Geass: Hangyaku no Lelouch (SoA 2017)

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(Recommended by a pretty humble guy, completing his recommendation trifecta.)

Will make this entry quick. Want to get a move on.

I would encourage anyone interested in my semi-quick thoughts on the first season to check here, as this post will deal primarily with the second season, the one I hadn’t seen coming into this. I will note that upon rewatch, my impressions of the first season were more positive than before, but only slightly.

The second season is a MASSIVE OVERLOAD OF FUCKERY. While it deals with a lot of the same conflicts and characters as the first season, R2 has a tendency to not only alter one’s expectations, but completely overloads them with mindfucks and retcons. It’s too abrupt, too glossy for its own good. To some extent, it’s hard to watch because it’s so horribly overdramatic, but one must admit that it’s by no means unentertaining.

There was a nice potency to the emotional value in R2 that, while somewhat better handled in the first season, was spectacularly used to create one of the most intriguing and twisted endings I’ve seen in all of anime. People whom I would have never expected to die are ripped from the world cruelly and coldly. If only the series did that more often. With the first season going more for intellectual set-up and strategy, the second season kind of just throws logic into the afterlife and employs all sorts of different strange scenarios, some I feel could ultimately have been avoided.

To some extent, it becomes a soap opera. One that is not handled in the best manner and cannot seem to find that same balance as once before. Its ambition is admirable, but their effort is wasted on trying to make it all seem true and real. And the manifestation of everything into a single line of thinking for the ending to indulge in is just insulting. It made for a bitter taste. Certainly not as good as it could be, but better than most that would rather go for clichés.

Personal Score: B-

Critical Score: C+

The rating for this title and all others can be found on MyAnimeList.