This will be the final anime I cover for this year’s Merry Days of Anime. To end it, I wanted to do something very stupid: indulge in something I knew I would probably hate going into. What better example than with Bokutachi wa Benkyou ga Dekinai, a rom-com harem anime where a geeky-looking doofus happens to attract the attention of multiple way-out-of-his-league women of varying personality archetypes? Just like the old days…
It would seem inevitable that something like this, which would’ve been an easy below-five-scored title for me in my “glory days,” would continue to irritate me in newfound ways. However, I’ve been surprised before! Perhaps this will be a lovely outlier, something that goes beyond its surface triviality and will dig deep into its characters to provide a fulfilling, emotional experience!
Spoiler: it didn’t.
Continue reading “Bokutachi wa Benkyou ga Dekinai (Season One) (Merry Days of Anime 2022)”
Title’s quite the mouthful. Then again, so is the humor attributed to this franchise. Konosuba is a series I’ve kept up with over the years and have found generally enjoyable. I have posts on both seasons, and with the “film” quota of the month yet to be checked off, it seemed fitting to finally dive in.
Then again, it’s been over five years since I’ve consumed any content from these misfits. From what I recalled prior to seeing this film, there is quite a bit of salacious material that the current me would probably squint at. Yet the energy the cast brings to the table is hard to despise entirely. Almost like a “guilty pleasure” wrapped in a genuinely rambunctious shell. Does the film do anything that the parent series doesn’t?
Continue reading “Kono Subarashii Sekai ni Shukufuku wo! Movie: Kurenai Densetsu (Merry Days of Anime 2022)”
In my years of watching anime, sometimes you can just sense quality from a cover. You should not judge a book by its cover, generally, though this isn’t an absolute rule. If your series has a cover that conveys everything that it embodies, complete with “a soul,” that’s a good very early sign. Dance Dance Danseur was the latest new(-ish) series that intrigued me from appearance alone.
After three straight re-watches, this is the first new series I’ve seen this December. And after watching (almost) four series in roughly eleven days, my desire to ingest is starting to slow. As such, my posting quantity will be a tad less frequent from this point. (In fact, I could have finished this series and written this post on Sunday.) I’ll continue to put the same sort of fun energy I always do in my posts, regardless!
Continue reading “Dance Dance Danseur (Merry Days of Anime 2022)”
Growing up, I was really fond of Gradius III. That sort of side-scrolling shoot ’em up game, combined with the exhilarating soundtrack, made an impressionable impact on my gaming preferences. Taking a quick glance at Dead End City on Twitter on the first day of the Steam Next Fest, I was immediately reminded of those days of blasting things to bits to an intense beat. How could I decline?
Quick structure disclaimer: Given this (and all the others) is only a demo, I won’t be too in-depth with my coverage, and will only reflect on the good and the bad. No overly long personal history or filibuster. No nonsense. That said, I will provide a synopsis for the game below.
Continue reading “Thoughts on Dead End City (Steam Next Fest 2022 Demo)”
As a nominee for Best Picture at this year’s Oscar’s, The Power of the Dog immediately became an intriguing prospect to view for me. I tend to like these slow-burn, “artsy-fartsy” films about gradually rising tensions and symbolic gobbledygook. After sitting down to watch this—shoddy internet and all—I can see what all the hub-bub is about!
To be transparent, this isn’t going to be everyone’s cup of tea. Much of the first half was somewhat hard to get through; like watching The Office without any affection for its characters. Uncomfortable and hostile, it takes its time to show its true colors. Well, “true” may be misleading; it’s certainly something that’s up for debate. Nevertheless, those fond of psychological dissection are in for a treat.
Continue reading “Day Two: The Power of the Dog (March of the Movies 2022)”
Many words were written about anime this season. A lot more than written over the course of the year, as my interest in the anime medium has slowly dwindled. Whether that says more about me as a person or the medium itself is debatable, but one thing’s for sure: I’m not much of an anime man anymore. More of a recommendation dispenser. I’ve seen so many that I’m able to take a quick browse through my list and give about three or four recommendations per genre. Like an old sage with a Word document. Where am I going with this?
Continue reading “Merry Days of Anime 2020: Megalo Box”
Animal Crossing has sufficiently taken over my soul. Gonna try and get this out before the day ends. Continue reading “Day Twenty-Three: Charade (MotM 2020)”
By the time this releases, it will be very late at night. As such, my write-up will unfortunately be very limited. Continue reading “Day Thirteen: Kamikaze Girls (MotM 2020)”
Before starting, I’d like to take a moment to thank Irina from I-Drink-and-Watch-Anime for inspiring this piece. While her original article (perhaps sarcastically?) asked for someone to create a list of benefits for gatekeeping in anime, I couldn’t quite get past a couple adequate benefits, seeing as I don’t believe in it. Instead, it churned the mind to think about my own history with popularity in anime, which led me to my greatest enemy: trends.
Also, this will be my personal opinion. It is not gospel, though I’d be flattered if you believed so. Continue reading “How Trends Affect the Quality of Japanese Media”
When I began The Visualist’s Veranda over six years(!) ago, I was very cynical. Longtime followers have heard this story before. I was an edgy dude with not a lot to my name, trying to burst through the scene as an arrogant know-it-all similarly to those who would write long-form epitaphs on the importance of Legend of the Galactic Heroes. As time crawled forward, I was smoothed by the inevitable teachings of reality and college, and my criticism for various art forms followed suit (right?). Watching Kimetsu no Yaiba brings me back to those days of when anime were never good enough for my standards, and while I don’t think I’m that kind of person anymore, the end of the third episode has left me feeling… nostalgic. Continue reading “Early Impressions: Kimetsu no Yaiba”